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A good send-off

Lately, I’ve been seeing little girls just wearing fancy dresses for normal wear. Like they have a dress leftover from a stint of flower-girling, and instead of just letting it molder in the closet until it is outgrown, then fobbing it off on Goodwill, the parents are letting the kid just go ahead and get some use out of the darn thing.

I saw a little girl this weekend disporting herself in sky blue chiffon trimmed with darker blue velvet, and another girl last night at a restaurant, accessorizing her white, lace-trimmed net dress with a hot-pink arm cast, a straggly ponytail, and a pair of grubby sneakers.

I think this is really a pretty sensible option. When I was a little girl, I’d get a pretty dress for Easter or for some occasion, and be lucky if I got to wear it 4-5 times. And like most little girls, I never met a frill, rosette, sash, or lace flounce I didn’t like. I’m sure these delightfully overdressed kiddos are feeling mightily stylish wearing their fine frills when and where-ever they so choose!

Fizzy-wizzy brains

I have become ridiculously fond of the Black Dice and other similar bleep-gizzle-frunzzzz type music. It is completely fantastic if you like weird music made up of random electronic bonking noises and zoinky sounds and general chopped-stirred-and-fried bleep-gleep effects.

At work, we are allowed to listen to streaming ‘net radio, so long as we either listen to it really quietly, or use headphones. When I am doing invoicing or data entry, or coloring in large blocks of PDF documents, I put on “Slacker” radio, and find a station of electronic noises music, as it stimulates various wobbly, knobbly bits of my brain.


My god…the “voop-voop voop” noises in this just make me want to spin around in circles going “Squeeeeeeee!” And the jumbly, choppy beat….and the disjointed chanting. I just get happier and happier and happier as this song goes along until my little pointy head is all like “wheeeee!”

These are Wave Rats. They are rats, who are doing the Wave.

When I was a little girl, I used to have visions of recording “Martian Music,” which to my way of thinking, was songs made up of weird noises melded together into a cohesive form. I used to use my Dad’s tape recorder and record the sound of Mom’s old-school bubble-hood hair-dryer warming up (this video is of the same model hair-dryer), of a beaded-wire centerpiece clattering in the breeze, of myself using a decommissioned bubble pipe as a miniature didgeridoo. If I’d had the technology and know-how, I’d have layered these and other odd sound-effects into song-length conglomerations, and probably annoyed seven shades of shit out of anyone who would listen.

So, here I am grown up now, and find that other people have been making Martian Music which is not unlike the sounds I used to daydream about making into songs.

If anyone can recommend to me some similarly whacked out outer-space music, I’d be just tickled silly over the moon. Fuckin’ A!

That ’70s Crockery

We’ve had a rash of broken coffee cups lately. Cone shaped mugs which tip over too easily. A pretty, but obviously clumsily hand-made cup which suddenly and without warning separated into three wedges in the dishpan. Slippery, soapy cups launching out of hands, into the sink, and shattering dramatically. Things were getting a bit ridiculous, so on Saturday, I set off for my favorite thrift shop to see about remedying this state of affairs.

I had criteria –

1. Broad-bottomed cups, please!

2. Sturdy and structurally sound: if it looks like it was made at a Community Education Pottery Weekend, no matter how pretty the glaze is, just say “no.”

3. Not “made in China,” for pref. Quality control on a lot of Chinese goods is still pretty shoddy; I don’t strictly trust that the handles will say on, or that the glaze is not chuck full of lead or other unwelcome elements.

4. No novelty handles. I hate weird, chunky, sculptural cup handles that are a bastard to clean and are the first thing to chip. No fire-plugs, no giraffe necks, no curvaceous pickles. All I want in a cup handle is a loop to stick two or three fingers through so I can carry it.

So, here’s what resulted – a surprisingly consistent aesthetic theme of earth-toned earthenware:

Apples!
Sweet apples – I think this one might actually have semi-recently come from Target. I seem to recall they had a line of kind of “vintage-looking” kitchenware a few years ago.

Cheerful abstract floral design
Cheerful abstract floral pattern – has become my favorite for my morning coffee.

Otagiri Roadrunner mug
I have been unable to do justice to the Roadrunner mug, which I find incredibly cute. It has two roadrunners and four small barrel cactus arranged in a running scene around its outside. As it turns out, it’s from the Otagiri company of Japan and is semi-collectible. Similar cups are going on Etsy and Ebay or anywhere between $8 and $25. I got mine for fifty cents.

This is a better picture, swiped off an Etsy listing. The gal selling had two of these roadrunner mugs and was able to arrange them so that you could see the whole pattern. When Audrey and I were little kids, we had a chicken we’d named Roadrunner, as she had very similar coloration, and was one of those little crested bantams, so she also had the head-fluff. So I’ve long had kind of a soft spot for roadrunners.

Hippie Mondrian
This one strikes me as a kind of hippie take on Piet Mondrian’s geometric aesthetic. I like the cobalt blue and the dark brown together.

Abashed pheasants
This is the most ridiculous mug I bought…only because I convinced myself NOT to buy the one that looked like a goose was swallowing a blue ribbon and shitting it out the other end, continuously. That mug is so fascinatingly horrible that I may go back and get if it is still there in a week or two. But back to the mug at hand…this crackle-glazed monstrosity features two pheasants with delightfully shamefaced expressions. The male looks shocked in an “Oh, I say!” sort of fashion, while the female looks decidedly repentant. It’s a weird piece of crockery, but I decided that its stout construction and generous capacity made it an ideal tea mug, and the charm of the poorly executed birds has grown on me.

I went on a dual-purpose ride today.

First objective was to give the dog a run:

Second objective was to scavenge up as many ripe mulberries as I could:

Wild Mulberries!

I made an scouting trip yesterday with the dog, and just snacked on mulberries as I find them, but made plans to come back again…with tupperware!
Wild Mulberries!
I got one of these big semi-disposable plastic tubs about halfway full. And I found some more bushes, which are conveniently on my way home from work. I will be stopping nightly to scavenge berries for the duration of the mulberry season.

I pureed the lot and portioned them into smaller containers to freeze. I will used them mixed with other berries in smoothies. Mulberries don’t have a very strong flavor, but are quite sweet and have a pleasant, almost creamy texture. The seeds are tiny and you hardly notice them. I think they will be a good mix with strawberries or blueberries.

Speaking of strawberries; the strawberry bed I started last year has begun to produce. It seems like it will be just about the right amount. We had the first berries of the season with breakfast. They were small and kind of lumpy, but the taste was just fiiiine. I do not have any pictures of the berries, but here’s one of some green berries and one of the flowers:
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More green berries – I think I took this picture last weekend or maybe the week before. I’ll have to take some pictures of the ripe berries after the next round of them are ready to pick.

Stylish!

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As is well documented, one of my pet amusements is riding around town aimlessly with a camera in my bag, in case I see something cool to take a picture of.

Last Saturday, I did.

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This here is a 1959 Chevrolet Corvette. I’d never seen one in person, so there were a lot of neat little stylistic details that caught me by surprise. Like this split rear bumper. Is that not an elegant looking bit of chrome-work?

Wide whitewalls and lots o' chrome...yeaaah!
I’m a little sad now that I didn’t get this picture squared up better than I did. Still…the paintwork, the chrome, the whitewalls…you get the idea.

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I expect this speedometer is more about idealism than reality, but it’s an exciting array of potential anyway.

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The iconic crossed-flags side-badge. I love old enamel badges, be they bicycle headbadges, or things like the Corvette flags above or my car’s Wolfsburg crest (pictured below).

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One of the reasons that I was so taken with this ‘Vette is that it represents the other end of the spectrum from my old, crusty Volkswagen. Both in its early days, when it was an expensive sports car, and the Volkswagen was a cheap runabout, and today, when this Corvette is beautifully restored, and my VW is still a rickety project car:

spring 2003

We’re apparently going to haul the ol’ ’59 back here to Kansas City this fall, after an eight-year stint of moldering in the driveway at my parents’ place. I’m sure my mom will be happy to not have to look at its decaying carcass any more. I’ve got leads on two different body shops that sound like good candidates to take on the rust repair and paintwork, so I’ll be making further inquiries when the car is actually back in my possession.

there's your problem
For this is the sort of thing up with which we will not put!

Is this thing on?


So…that’s basically the sound of my brain these days.

Holy crap, April was pretty much a waste. We’ve been having one of those notoriously shitty Midwestern springtimes. Spring in this part of the country is really unabashedly rotten. After something on the order of 8,762 days of freezing ass hatefulness known as Winter, we all get restless as fuck and ready for some warmth and sunshine.

What we get are about 5 gloriously ideal days, and about 70 damp, windy, uninspiring ones.

So, my annual hibernation stretched through the bulk of April. Fie and woe and shit.

But enough tedious bitching about the weather. Don’t you just hate people who bitch about the weather all the time? I know I do.

I’ve actually been doing some stuff while the weather has been crap. Like baking a metric assload of cookies to store against the time when it is too hot to run the oven.

And there’s the Tweed Ride, a much-belated writeup of which is forthcoming.

Another little article that has been putting me off writing here is that I had obligations hanging over my head. Obligations I’d been dragging my feet over, and obligations which made me feel that it was patently improper for me to be fucking around with my own vanity blog, which does absolutely nobody any good whatsoever.

So, I finally knuckled down and got some stuff done.

River Market Cyclery has a new webpage now. It’s still a little light on content and features, but the important stuff is there, and there’s now a good framework for future content.

I might also have acquired the url www.trashboat.org

Regatta. REGATTA. It’s a nice, woody sort of a word, isn’t it?

So anyway, sunshine willing and give-a-shit holding out, maybe I’ll start remembering I have a blog more often.

Sweating in style

I have a tendency to dress like a total slob at home. In fact, on more than one occasion I have been mistaken for homeless or at least indigent and been offered food by kind strangers.

So occasionally I swear I’ll reform. I’ll throw away a few of the more egregious old ratty tee-shirts and burn a pair or two of wretched khakis. But I usually end up looking like this again pretty soon:

But I think I made one resolution that will actually stick. Last summer I started making myself a couple of lightweight el-cheapo cotton sundresses for wearing around home. I call them my “sweatin’ dresses,” and they’re little more than a glorified bathrobe that one could appear in public wearing without much shame. It’s based on a modification of New Look 6674, which is the same pattern I used to make my swanky orange silk wrap dress.

Only these dresses aren’t swanky. They’re the sort of thing a girl can wear in the garden, or while cleaning house, or riding around the alleys with a dog in tow. Just crappy cheap cotton calico, suitable for getting grubby and throwing in the washing machine and starting all over again.
house-dress
This is the first and ugliest of the three. Perversely, it is my favorite. It is everything a housedress ought to be. Unalluring, busy enough to not show stains much, and totally comfortable.

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Red gingham for a bit of Minnie Pearl flair. And y’all know how much I dig the Minnie Pearl style.

The third one I finally finished up today. I cut it out sometime last summer but kind of ran out of enthusiasm for the project after doing the first two. But here it is, in all its twee, flowery glory:
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That contrasting floral print theme gives it a bit of a Laura Ashley feel. I almost feel like I should be wearing a floppy sun hat along with this dress.

Anyway, I was sorting out my summer clothes yesterday and putting up my woolly carapaces for the season, and I threw out another round of disgusting, shreddy, horrible old tee-shirts and two pair of shorts that had really gotten beyond belief, so maybe I’ll present a little bit more presentable exterior this summer.

I’ll try for a little while, at any rate.

Totes awesome

Sears Tote Cycle
This here is a 1960-something Sears Tote Cycle. I have a 1964 Sears catalogue up in the attic that shows a similar bike, offering options in a singlespeed, three-speed, and for an extra $70, you could get a Whizzer motor and have power assist.

The ridiculous ape-hanger handlebars are my addition. The bike originally had bars very similar to those on my little old lady bike, pictured below for reference:
suburban in all its glory

The Tote Cycle is without a doubt my least practical bicycle. Which means it is hilarious to ride it…so long as I don’t have to go over 10 miles in distance or per hour. When you get up any sort of speed, the front end gets a bit wobbly. And the only thing stopping this bike is a coaster brake, which is generally fairly insufficient to my type of needs. I actually tanked into the back of Christi yesterday. Fortunately, she was riding her folder, which is also a juggernaut, so neither of us nor our bikes were damaged.
Christi & the folder she built for herself.

The Tote Cycle of mine…technically I guess it’s a “break-away” rather than a folder. It is in no way hinged. It’s held together in the middle by a couple of wing nuts, and if for some reason one ever felt the need to take it in half, that’s where the action would happen. But I can’t really see why you’d want to. It would be hell to ship, and even in half it’s a rather long, gawky piece of work. Especially with my Ape Hangers. Which I discovered that when I stand and climb, come just below the elastic band of my bra. It’s a mercy I’m not more chestiferously endowed or that last climb up Strawberry Hill on my way home would have been even wobblier.

The Tote Cycle is in my life for its oddity factor, and that factor is high. Also the integrated rack is exactly the size of a case of beer, so it could be a charming bike to ride to parties.

Tweed?

I’m pretty much ready for the Kansas City Tweed Ride.

I’ve got an awesome bike:
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And now I have an awesome outfit:
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The outfit has many parts, none of which were originally planned to go together, but all of which actually do. There are three things I didn’t make.

1. Blouse (GAP)
2. Socks (Target)
3. Shoes (Dr. Martens)

The jacket, to which I am particularly partial, is a Butterick pattern: #5232, to be exact.
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It made up deceptively easily; it looks like it should be really complicated, but it would be a friendly pick for a relatively novice seamstress. I used unbleached lightweight canvas with brown mercerized cotton thread for the topstitch decoration. I wear this jacket all the time to work with more modern gear.

The bloomers were a Laughing Moon pattern, #110, which is a complete suit of 1890s sportswear – one suit for hiking with a short skirt and sailor-ish jacket and the other a cycling suit with a side-closing double-breasted jacket and the bloomers you see below:
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I modified the pattern for an elasticated back waist to do away with a side closure, and I added in-seam pockets at each hip.
I figured that if my butt doesn’t look big in these, then I have done something terribly, dreadfully wrong.
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Topping it all off is a squashy hat which is actually the only piece of Tweed in my whole ensemble!

I made this hat using an older Simplicity “Junior Trend” pattern and a pair of pants that I hated.

I’d bought this pair of houndstooth check tweed pants at a thrift shop because they were my size, they were wool, and I loved the color(s). I discovered, however, why they’d been banished to the thrift store. They had a ridiculously high rise and a tendency to migrate northward as the day wore on. Every time I wore them, I’d start off in the morning thinking, “Oh, these are nice; I wonder why I never wear them…they look so good with this sweater,” and by 3:00 p.m., I’d be picking them out of my armpits and swearing vehemently. So eventually I cut the bullshit and turned them into the hat you see above.

So, my outfit for the Tweed Ride is ready to roll. Now, I need to see about this “Grand Marshall” sash that Calvert & the Groody Bros. are talkin’ ’bout.

Jersey Girl

I have been working on some sewing projects lately with jersey knit fabric, which for some reason I had never really used before. I have to say that I am now a very big fan of jersey knits. Stretchy enough that you don’t need zippers, supple enough to drape beautifully but it doesn’t tend to slip or bunch excessively. This is a fabric that works perfectly for many styles of pullover tops and dresses. Plus there are so many gorgeous prints and colors and it’s usually pretty budget friendly. Most of the jersey prints I’ve seen online clock in at around $5 a yard. Most dresses take around 2 yards, so you can make something cute for around a tenner. Hard to beat that!

So, here are my recent stretchy creations:
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The fabric is a peculiar blend of colors, but once I turned it into a dress, I kind of fell in love with it. This dress had originally been just to test out the sewing pattern, but this weird fabric actually really suited the design and I expect to get a lot of wear out of this dress. I have a ribbon belt that is the same terra-cotta color if I want to change the look a bit.
Vogue V8679
The pattern is from this Vogue “wardrobe” pattern, V8679, I had bought it originally for the suit jacket pattern which is really sharp, but so far I have made the dress twice and nothing else. But I think I will use the jacket and trouser pattern together to make a proper ladies’ suit pretty soon.
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This is the other dress I made with that pattern. It is amazing the difference a fabric choice makes! The dress on the pattern envelope looks so classic and proper and preppy, whereas mine is raucous and silly, with this crazy graffiti print. It has Vikings and spork-wielding robot monkeys and stripey-tongued alien monsters…how could I go wrong?
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It also looks surprisingly good with my cycling helmet!
Quite possibly the first time in history anyone has ever said, "And my helmet went PERFECTLY with my dress!"
I wore the dress and the zig-zag-stripey tights to work last Friday, and on the way home realized that my helmet made the whole affair into a surprisingly co-ordinated ensemble.

The last of my trio of Jersey successes is a dress that I think has a sort of mid-1970s feeling, though that may be on account of the fabric which is another odd mustardy print. I’d bought this fabric off the internet and it can be kind of hard to judge colors via a monitor. I’d been expecting something more brownish from the first print, and something much more yellow with this one, whereas they’re both in the “Grey Poupon With Flowers” family. Which is acceptable, but not quite what I’d originally envisioned.

Anyway:
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This was another “test dress” which turned out well enough that it will be in regular rotation in my working wardrobe.
3775
It’s basically View A, but with the skirt length from Views CD&E. I like a knee-length skirt, which is what you get if you use the cutting lines for CDE. I discovered that the neck-band as drafted, is about 2″ too short. Instead of cutting a new one, though, I just gathered the center front of the neckline a bit. So the dress has a little bit higher neckline than it shows on the pattern envelope. Next time I will just cut the neckband a little bit longer, but it is okay this way, too.

The next time I use this pattern, though, I think I am going to use the cross-over bodice instead. I bought it to use the crossover bodice as a shirt pattern, which I probably will do eventually, but I like it as a dress a lot, too. The fitted midriff with a flared skirt and slightly gathered bustline really suits my figure. I think I may make it up in a piece of leopard-print Jersey fabric I have on hand. The leopard print had been going to be a couple of pullover tops, but I think I found some fabric that will work better for that project.

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